from the catalog Mondadori Electa
"Contemporary Art in the old houses" over
Novecento Giulia Sillato
The Master is in San Benedetto del Tronto (Ascoli Piceno)
and more than 30 years cultivating all forms of 'Art, Music
not excluded.
knows the color theories of Chevreul
and explores the anatomy and perspective,
to develop new and end of intriguing theories on spatial vision
.
Worth the "Silver Medal Pico della Mirandola,"
beyond that conferred in 1991 by the President of the Republic, Francesco Cossiga
then in office.
It then enters on a path of ascent,
who engages in an artistic research of great intellectual
also began in the mid 80s in introducing
panorama of contemporary art history
a new Spatial Vision,
on this object is not represented, but
the space in which it is represented:
Picasso, Cubism, had tried to
develop a total knowledge of the object, making
emergence points of view
excluded from the classical three-dimensional representation, namely the
perspective: how? Breaking it down!
Mondrian, with Neoplasticism,
denies even the deep things
and presents us with flat surfaces, crossed by lanes geometric
Fontana decides that the object should no longer be represented in the form
neither figurative nor abstract in form - allusive
and takes him out of the frame, live in space every day.
Great questions not about things, but
on the relationship between space and things began experimenting
Alignment Space
and analyzed that by observing the object with each of the two eyes,
separately, this is projected to right or left.
was born the theory of three-dimensionality Binocular,
original form of geometric abstraction,
in which the surface of the painting is divided into patches of different colors:
plans are perceived by
space which, if not unified in its vision that of 'other, individually
takes several steps deep,
all converging towards the observer.
Novecento Giulia Sillato
The Master is in San Benedetto del Tronto (Ascoli Piceno)
and more than 30 years cultivating all forms of 'Art, Music
not excluded.
knows the color theories of Chevreul
and explores the anatomy and perspective,
to develop new and end of intriguing theories on spatial vision
.
Worth the "Silver Medal Pico della Mirandola,"
beyond that conferred in 1991 by the President of the Republic, Francesco Cossiga
then in office.
It then enters on a path of ascent,
who engages in an artistic research of great intellectual
also began in the mid 80s in introducing
panorama of contemporary art history
a new Spatial Vision,
on this object is not represented, but
the space in which it is represented:
Picasso, Cubism, had tried to
develop a total knowledge of the object, making
emergence points of view
excluded from the classical three-dimensional representation, namely the
perspective: how? Breaking it down!
Mondrian, with Neoplasticism,
denies even the deep things
and presents us with flat surfaces, crossed by lanes geometric
Fontana decides that the object should no longer be represented in the form
neither figurative nor abstract in form - allusive
and takes him out of the frame, live in space every day.
Great questions not about things, but
on the relationship between space and things began experimenting
Alignment Space
and analyzed that by observing the object with each of the two eyes,
separately, this is projected to right or left.
was born the theory of three-dimensionality Binocular,
original form of geometric abstraction,
in which the surface of the painting is divided into patches of different colors:
plans are perceived by
space which, if not unified in its vision that of 'other, individually
takes several steps deep,
all converging towards the observer.
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